ICA Print Center Workshop Instructors
2010 Print Center Workshops and Registration Form


Instructor Dan Welden with 2008 Solar Plate Workshop participants Mercy Smullen and Linda Stinchfield.

Jennifer Anderson, Monotype & Monoprint and Portfolio Making
Christine Canepa, Drawing for Printers
Janet Fine, Photopolymer Intaglio
Kim William Fink, Xerox Matrix Planography
Evelyn Klein, Monotype & Monoprint and Relief Printing
Victoria May, Bookmaking
Andy Muonio, Monotype & Monoprint
Jenny Robinson, Monotype & Monoprint
Glen Rogers, Monotype & Monoprint
Matthew Silverberg, Digital Printmaking
Robynn Smith, Collagraphy
Sandra Starkey Simon, Collagraphy
Livia Stein,
Monotype & Monoprint

 

 

Jennifer Anderson works in stone lithography, etching and relief printing. She has been an artist member of Two Rivers Printmaking Studio, White River Junction, VT, since 2001 where she also taught printmaking and served on the Board of Directors. She has a BFA in Printmaking from the University of Connecticut and was a resident artist at the Vermont Studio Center.
Monotype & Monoprint: Silk aquatint and Portfolio Making


Cosmogram: I/D, 2008, Mixed media

 

Christine Canepa is an instructor at San Jose State University, where she teaches drawing and design. She has been teaching for over ten years throughout the Bay Area and has worked with all ages and modalities of art-making practices. She received her MFA in 2005 in Pictorial Arts, and has exhibited her work locally and nationally. Her artistic practice emphasizes painting, but includes a variety of strategies and mediums. This past year she curated her first exhibit, a group show of artists working on paper, and her most recent solo exhibition was an installation at San Francisco's Right Window Gallery.
Drawing for Printers


Elephant in the Room, 2007, solar plate prints from digital collage

Janet Fine works in a wide variety of media, from bookmaking to shrinky-dinks, with photography and the nexus where low tech meets high tech at the root of her art. Using a plastic toy camera to create digital output, she creates digital collaged transparencies and exposes them to photo-sensitive plates. Fine is the photography lab technician at Cabrillo College and an independent curator.
Photopolymer Intaglio: Digital Collage into Photopolymer Intaglio

 

Cruel Summer, 2007, etching, collagraph and chine collé, 30 x 22 inches

 

Kim William Fink is an Associate Professor of Art and Printmaking at the University of North Dakota where he founded Sequoia Press. He has had residencies at Kala Art Institute, the Center for Contemporary Printmaking, Vermont Studio Center and Scoula Internazional Grafica in Italy. He lectures, holds workshops and exhibits his work internationally.
Xerox Matrix Planography



Lunar Cycles II, #8
, 2008
Oil and mixed media on wood panel

 

Evelyn Klein is a printmaking instructor at Monterey Peninsula College and at Equinox Press, which she founded. Her work in printmaking and her mixed-media paintings are exhibited throughout the United States and her native Canada. Klein specializes in the integration of the traditional processes of lithography, relief and etching with new techniques such as collagraphy, chine collé, and digital technologies.
Monotype & Monoprint and Relief Printing & Mixed Media



Ocean Book
, oil on glassine, beads, monofilament

 

Victoria May received her MFA from San Jose State University (SJSU). Materials and their metaphorical value are the focus of May's work and the resulting pieces include books to sculptural objects. May exhibits nationally and is represented locally by Don Soker in San Francisco.
Portfolio & Bookmaking: Introduction to bookmaking techniques through folded & sewn structures


Andy Muonio
Karl-in-the-studio
, 2009, 30"h x 22" monotype,

 

Andy Muonio is a Lecturer at San Jose State University teaching Figure Drawing and a faculty member at the Community School of Music and Arts (Mountain View , CA) teaching Drawing and Painting. He holds a BS in Illustration and a BFA and MFA in Pictorial Art all from San Jose State University. His figurative work ranges from computer animation to large scale paintings. A skilled printer that uses his painterly figurative style to create unique monotypes.



Gasholder, London
, 2008
Drypoint, spit bite monoprint

 

Jenny Robinson has a BA in Printmaking from the WSCAD in the UK and has taught both graduate and under-graduate printmaking. She currently has a studio at Hunters Point in San Francisco and her prints have been published by Eastside Editions, San Francisco. Her work is regularly exhibited in London and the Bay Area.
Monotype & Monoprint: Monotype printing using cardboard & carborundum matrices, multiple drop printing, layering, drypoint, chine collé & stencils

 


Moon Over Mazatlan, Monotype and drypoint,
30 x 22 inches

 

Glen Rogers resides and works from her studio in Mazatlán, Mexico. She is a printmaker/master printer with an MFA from SJSU and holds an MA from San Francisco State University. She has completed residencies at KALA Institute in Berkeley, Villa Montalvo, the Helene Wurlitzer Foundation in Taos, and the Frans Masereel Print Center in Belgium. Rogers exhibits her work nationally and internationally.
Monotype & Monoprint: Drypoint line, stencil, and photo transfers to complement the painterly print


Abutalin, 2007, Pigment print on paper,
20 x 16 inches

 

Matthew Silverberg is an artist working in traditional and new media. He teaches all levels of digital printmaking in the Multimedia Arts Department at Berkeley City College, where he also instructs color, design, digital portfolio and art marketing. His work is exhibited throughout the Bay Area, including the SFMOMA Artists Gallery.
Digital Printmaking



Invasion Series #5
, Intaglio print,
10 x 12 inches

 

Robynn Smith is the Art Department Chair and a Studio Art Instructor at Monterey Peninsula College. She teaches printmaking, painting, drawing and visual/color fundamentals. She has completed numerous residency fellowships including Frans Masereel Centrum, Kala Art Institute, and Villa Montalvo.
Collagraphy



Bark Wings
, detail, 2008
Collagraph made with bark and natural materials

Sandra Starkey Simon is an Australian printmaker with strong ties to the San Jose art community. She received her Master's Degree from San Jose State University where she also taught printmaking and was the Master Printer for Washington Square Press. Starkey Simon is currently the Director of the Magpie Studios, a printmaking facility which she co-founded with Fanny Retsek in Downtown San Jose and now is located in Adelaide, Australia. Starkey Simon regularly exhibits her prints in the United States, Mexico, Europe and Australia.
Collagraphy



Bird
, 2008 mixed media, 30 x 22 inches

 

Livia Stein studied at Art Center College of Design in Los Angeles and holds a Master's Degree from San Francisco State University. She is currently Professor of Art at Dominican University, San Rafael, California and maintains a studio in Oakland. Her work has been exhibited in Europe, South America, India, and throughout the United States. Recently Stein was an Artist-in-Residence in Baroda, India, and had a residency at the de Young Museum in San Francisco which included a solo exhibition of her paintings.
Monotype & Monoprint



San Jose Institute of Contemporary Art
560 South First Street San Jose, CA 95113 tel (408) 283-8155 fax (408) 283-8157

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